Cynical Theories by Pluckrose and Lindsay

How Activist Scholarship Made Everything about Race, Gender, and Identity—and Why This Harms Everybody

Have you heard that:

  • language is violence and that science is sexist
  • certain people shouldn’t practice yoga or cook Chinese food?
  • being obese is healthy?
  • there is no such thing as biological sex?
  • only white people can be racist?

Are you confused by these ideas, and do you wonder how they have managed so quickly to challenge the very logic of Western society?

Helen Pluckrose and James Lindsay document the evolution of the dogma that informs these ideas, from its origins in French postmodernism to its refinement within activist academic fields.

Today this dogma is recognizable as much by its effects, such as cancel culture and social-media dogpiles, as by its tenets, which are all too often embraced as axiomatic in mainstream media:

  • knowledge is a social construct;
  • science and reason are tools of oppression;
  • all human interactions are sites of oppressive power play;
  • and language is dangerous.

As Pluckrose and Lindsay warn, the unchecked proliferation of these anti-Enlightenment beliefs presents a threat not only to liberty but to modernity itself.

While acknowledging the need to challenge the complacency of those who think a just society has been fully achieved, Pluckrose and Lindsay break down how this often-radical activist scholarship does far more harm than good, not least to those marginalized communities it claims to champion.

They also detail its alarmingly inconsistent and illiberal ethics. Only through a proper understanding of the evolution of these ideas, they conclude, can those who value science, reason, and consistently liberal ethics successfully challenge this harmful and authoritarian orthodoxy—in the academy, in culture, and beyond.

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Discovering Great Plays: As Literature and as Philosophy by Leonard Peikoff

Discovering Great Plays provides the ability to understand, judge, and savor the values offered by great drama. Readers will discover plot-theme as the key to a play; Antigone as a great heroine; Iago as the blackest villain in literature; the Cornelian hero; Schiller’s Grand Inquisitor scene as the most dramatic and philosophic in all theater; Ibsen and Ayn Rand’s Howard Roark; Shaw’s genius in presenting the genius against society; and Cyrano de Bergerac by Rostand.

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Principles of Grammar by Leonard Peikoff

Clear writing is a function of clear thinking, with the principles of grammar being the bridge that connects the two. “At the end of the course,” says Dr. Peikoff, “you should be able to see every grammatical rule, directly or indirectly, as a consequence or expression of some essential requirement of the human mind…”

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The Ominous Parallels by Leonard Peikoff

Self-sacrifice, Oriental mysticism, racial “truth,” the public good, doing one’s duty—these are among the seductive catch-phrases that Leonard Peikoff dissects, examining the kind of philosophy they symbolize, the type of thinking that lured Germany to its doom and that he says is now prevalent in the United States.

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The Art of Nonfiction by Ayn Rand

“In 1958, Ayn Rand… gave a private series of extemporaneous lectures in her own living room on the art of fiction…. The Art of Fiction offers invaluable lessons, in which Rand analyzes the four essential elements of fiction: theme, plot, characterization, and style. She demonstrates her ideas by dissecting her best-known works, as well as those of other famous authors, such as Thomas Wolfe, Sinclair Lewis, and Victor Hugo.” “[Ayn Rand] maintains that writing is a rational sphere, governed by rationally identifiable principles. ‘Writing is no more difficult a skill than any other, such as engineering,’ she says. ‘Like every human activity, it requires practice and knowledge. But there is nothing mystical to it.’ ”

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